I work at the convergence of sound engineering, interactive media, and electronic arts. My practice encompasses sound art — including custom-built electroacoustic instruments and motion-responsive audio systems — as well as real-time light installations and analog video-audio transformations.

My extensive background as a live sound engineer, combined with my music education and film sound work, informs how I create immersive environments that emphasize the tactile and experiential qualities of audiovisual art. My current work focuses on developing systems that respond to and evolve with their environment: feedback-based instruments, movement-triggered generative music, and installations that prioritize the immediate, physical encounter with sound and light.